Marty Halpern

We Want Phil: Grateful Dead Release “Ready or Not”

December 3, 2019
Marty Halpern

As Vince Welnick settled into his role as the Grateful Dead’s only piano player in the spring of 1992, the band had started heavily introducing a fresh batch of “new” songs in their touring rotation. Most Deadheads figured these songs would eventually be recorded and released as the band’s next studio album.

The death of Jerry Garcia in 1995 ended any chance for that album to be completed. Several unofficial compilations have been put together featuring live versions of the “new” songs, Now, The Grateful Dead has released Ready or Not… nine live versions of these songs recorded from 1992-1995.

Marcus King brings Southern soul to Memphis

November 15, 2019
Marty Halpern

Words: Marty Halpern
Photos: Josh Mintz
Marcus King could not have picked a better song to kick off his much anticipated concert and first headlining gig at Minglewood Hall in Memphis, Tennessee on November 9 then “Where I’m Headed.” Most of the crowd was there to find out the answer to where King is headed as well.

The 23-year old King just kicked off a worldwide tour in support of his debut solo album, El Dorado, that runs through April 2020 with very few breaks in between.

decker.’s Visions Become A Reality

October 28, 2019
Marty Halpern

After ten years, seven albums and a rabid touring schedule, the only thing missing from the decker. discography at this point is either a live or greatest hits album. With Greetings All Ye Playful Prisoners of Spacetime, from the Royal Potato Family label, you can cross live album off the list.

“Everybody Wins” with the Second Amendola Vs. Blades Album

October 12, 2019
Marty Halpern

After releasing all of their greatest hits in their 2016 debut album, Greatest Hits, the duo of Scott Amendola and Wil Blades are back with a fresh batch of material with their new album, Everybody Wins. For the sophomore album, the duo brought some of their friends along to add to the numerous layers of music they are known to create just by themselves.

Trigger Hippy Reloads, Re-groups, and Records

October 9, 2019
Marty Halpern

In 2014, after five years of touring with different band configurations, Trigger Hippy finally released its self-titled debut album. The band hit the road for over 40 energetic shows in 2014 and 2015 to support the album. So what do you do when everything finally seems to be falling into place? Put the band on hiatus of course.

That’s what founding members Steve Gorman (drummer The Black Crowes) and bassist Nick Govrik decided to do at the end of 2015. Not only was Gorman fully involved with Trigger Hippy at the time, he was also in the middle of dealing with the implosion and end of the Black Crowes. “I had a hangover from both bands, it really was that simple.” Gorman said.

Four Years Later: JRAD Finally plays Help > Slipknot > Franklin’s Tower

September 28, 2019
Marty Halpern

Until September 26, 2019, the last time Joe Russo’s Almost Dead played the popular song trio “Help on the Way > Slipknot > Franklin’s Tower” in order was New Year’s Day 2016 – 1364 days, or 148 JRAD shows, ago. The reason those numbers are easy to find is super fan Stevie “Weavie” Pancoast.

Circles Around The Sun Meet Joe Russo – Fare The Well, Neal Casal

September 24, 2019
Marty Halpern

In March 2019, members of Circles Around the Sun (CATS) and drummer Joe Russo got together for an improvised jam and recording session at The Bunker studio in Brooklyn, Mixed by New York-based engineer Jim Scott (Tedeschi Trucks Band/Tom Petty) and CATS bass player Dan Horne, the end result was the 24-minute, aptly-named four-song EP Circles Around the Sun Meet Joe Russo.

Marco Benevento’s “Let It Slide” – A Delicious Club Sandwich

August 23, 2019
Marty Halpern

If Marco Benevento had his way, his new album may have been named Leon, instead of Let It Slide, an homage to the album’s producer Leon Michels. Benevento and Michels met through west coast producer and sound man Richard Swift, who was supposed to mix Let It Slide. Swift, after whom Benevento named his 2014 recording Swift to recognize the amount of work the producer put in, passed away in July, 2018 before the album was mixed and things abruptly changed.